| commit a65e87750477cfeb53389d642bc2e9ce7c59d830 parent 8322b7bb6cc6b3880a8c651e6a3b75a23f1a424c Author: sqzer <110329244+sqzer-x@users.noreply.github.com> Date: Wed, 5 Aug 2026 19:40:01 +0900 The project section becomes a mosaic Four tiles instead of six in a symmetric grid: one large on the left, three stacked beside it. A 3x2 of equal boxes says all six carry the same weight, and a section has something it wants to put first. The rest are what the door is for. Every tile is a picture with the name and the line about it sitting on a band at the bottom, the way the reference does it. Where a picture exists it fills the tile: ommp has a cover, sqzass has its mark and it sits on the project's own colour. Where none exists the colour stands alone — every project already has a colour chosen for its own page, and that colour says more about the project than a plaque reading "no image" does. A cover arriving later is one line in the catalogue. The band under the text goes solid before it reaches the type rather than fading through it. Fading through it is how a light title ends up on a light picture, which is exactly what ommp's cover did on the first attempt. Pictures and colours live in a catalogue on the home page because listings carry no extra, but only the pictures, the colours and the order live there — the name and the description still come from the listing, so the two cannot drift. tools/check.py verifies each URL names a real project and that every file named exists, and I proved it fails by pointing one at a project that is not there. Worth saying plainly: this is the reference's structure, not the reference's look, and the distance between them is six paintings. Two of our six projects have artwork. The other four are honest colour fields, and they read better in the dark theme than the light one. Diffstat:
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